Eddie Aguirre

Actor

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Four Years Ago

March 4, 2019 By Eddie Aguirre

The decision to uproot and move to an unfamiliar city in pursuit of a career in entertainment seemed wild and crazy at the time. Hell, it still seems wild and crazy. The truth is, it’s one of the most rewarding choices I’ve ever made.

Today is March 4, 2019. Four years in and I continue to be fulfilled and encouraged by the work I do. I think that’s a strong indication of being on the right path. So, here I am, in LA, and here I will remain.

Filed Under: Writings

Bixler High Private Eye

February 1, 2019 By Eddie Aguirre

In Nickelodeon’s original television movie Bixler High Private Eye, Xander DeWitt, a kid with a knack for solving mysteries, gets his biggest case to date when his dad goes missing.

In the film, I got to play a self-assured car salesman who is duped by Xander himself. Catch my scenes in this clip!

Filed Under: Projects

Fuller House

January 26, 2019 By Eddie Aguirre

Fuller House is a spin-off series based on the hit ABC family sitcom Full House. Having watched the original series as a kid, it was pretty wild to play in this world as an adult.

In this episode (S4, E5), I play Tom Johnson, a reporter interviewing students at a local rally. Check me out in this clip!

Filed Under: Projects

My Crazy Ex

July 19, 2017 By Eddie Aguirre

The LMN television series My Crazy Ex tells the extraordinary but true stories of past relationships that went awry when one partner’s behavior goes from romantic to excessive to extreme.

In this episode (S3, E5), I got to play Cooper, a good friend who gives the skinny on his buddy’s new girlfriend. See some of my highlights in this video!

Filed Under: Projects

Tier Jumping

March 26, 2017 By Eddie Aguirre

There are tiers to every endeavor. On paper, they’re laid out as a clear path up. In reality, you can climb and fall on a whim, sometimes skipping levels. There is no one way or right way. Just your way. With that in mind, below is what a career trajectory for an actor in television and film might look like on paper.

Non-Union Performer. If you’re a non-union actor with the ultimate goal of working professionally, a good first step is to become eligible for SAG-AFTRA membership (SAG-E). In my opinion, being SAG-E makes an actor more attractive when submitting on union projects and when seeking representation. There are a number of ways to become eligible, like working background.

SAG-AFTRA Member. When your auditions for union work begin to outnumber those for non-union work, start seriously thinking about joining SAG-AFTRA. The catalyst for me joining was my first pin on a network television show. Whether or not I got cast, it was time—I was auditioning for more and more union gigs and, at that moment, literally one step away from booking my first union project.

Television. A tier with its own tiers. In its simplest progression, episodic television opportunities track like this: Co-Star → Guest Star → Recurring → Series Regular. And one does not qualify you for the next. Showing an ability to consistently deliver at a given level does. Focus on building trust with the people you work with and good things will happen. You may land a dozen Co-Stars before booking your first Guest Star. Remember, this career is a marathon, not a sprint.

Feature Film. Again, this is the “on paper” map. There are no hard and fast rules. For our purposes, however, we’ll assume some success in television has brought you to film. To keep it linear, your first roles will be in the form of Supporting characters. Then, after proving (again) your ability to deliver in all your projects, you’ll start getting shots at the Lead.

Leveling up is fun, but can feel daunting. Often, you’re at the top of your current tier before jumping. When you finally do, it’s often into the bottom of the next. Yeah, you’re on the up, but in an arena where you’re new to the party. If you feel this way, reflect on where you’ve been and remember you’ve earned your spot. You’ve done it before and you’ll do it again. Stay motivated. Stay encouraged. Don’t quit.

Filed Under: Writings

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Contacts

Manager
Vault Entertainment
m. Natalie Thomas
p. 310.571.9005
e. natalie@vault-ent.com

Theatrical Agent
The Park Agency
a. Nic de Armendi
p. 818.860.4972
e. nic@theparkagency.com

Commercial Agent
Genesis Artists Agency
a. Donna Kim
p. 323.423.7502
e. donna@genesisartistsagency.com

Recent Posts

  • 9-1-1
  • SEAL Team
  • Mixed-ish
  • Shooter
  • You Lose Some You Win
  • Four Years Ago
  • Bixler High Private Eye
  • Fuller House

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